The 2-day Swar Samrat competition was devoted to a legend

Tenth version of Swar Samrat Utsav in New Delhi brings collectively Gharana and Younger Artists

Tenth version of Swar Samrat Utsav in New Delhi brings collectively Gharana and Younger Artists

The a centesimal start anniversary of Ustad Ali Akbar Khan is being celebrated the world over. Earlier this week in Delhi, the two-day competition targeted totally on the youthful technology. It opened with a scintillating debut with 26-year-old Gandhar Deshpande at her first classical live performance in Delhi. Ram Deshpande, a disciple of Pt., Gandhara’s singing fashion is an amalgamation of kinds, apparently introduced together with his personal novel musical concepts. In a single stage, he used an instrumental method – singing just a few notes of the ‘Mukhara’, then improvising, then repeating the unique tune. It created an exquisite feeling of being remembered, with a purpose to most successfully have interaction its viewers. As well as, he launched uncommon melody, which he shared after the live performance, a technique he want to comply with. He stated, “Everybody sings the identical easy raga; I wish to take up the problem of singing ragas which have develop into uncommon.”

Beginning with the favourite ‘Jod Raag’ of the Jaipur Atrauli Gharana, Raga Lalita Gauri, Gandhar together with her assured demeanor caught one off proper from the beginning. His sense of proportion within the live performance presentation put many veterans to disgrace; There’ll actually be a time when he’ll transfer on, musically talking. The perfection of his voice in excessive pitches was commendable.

The second raga was not heard by this creator Raga Deepak Kedar, though Gandhara shared that it was sung in Maharashtra till the Nineteen Fifties. Apparently, Gandhara felt that the usage of the identify Deepak doesn’t discuss with the raga; Because the prevalent raga is named Deepak, some areas have a distinct observe construction, which was not included by his raga Deepak Kedar. Nonetheless, in a extra historic custom, Raga Deepak has notes of Kalyan, and was one of many 6 primary ragas from which all different ragas developed, so Gandhara’s Deepak Kedar could have been an older affiliation of those two ragas. (By the way, Raga Deepak was intentionally extirpated by the grasp of the time, within the mid-Nineteenth century, as its results had been stated to be dangerous.) Actually as a singer, Gandhara was significantly The tabla was accompanied by a Mumbai-based youth. Ishaan Ghosh on Harmonium and Dr. Vinay Mishra of Delhi.

Kaushik Mukherjee performs within the lineage of Ustad Ali Akbar Khan on the sarod; He’s a disciple of Pandit Tejendra Narayan Majumdar. His melody Jhinjhoti was accomplished; In flip, the ‘Laya’ operated, with the flashes of ‘Bolkari’ (stroke work). Hope to listen to extra about this worthy musician; He has an uncommon really feel for music. He was accompanied by Debjit Patitundi, a worthy disciple of late Pandit Shubhankar Banerjee, on the tabla.

Yashwant Vaishnav. , picture credit score: Subhdeep Dey

On the second day, 28-year-old Yashwant Vaishnav’s Tabla Solo of Punjab Gharana, the Tabla Surprise Child, lit up the present. With Nilay Salve’s harmonium, Yashwant’s presentation in ‘Teen Taal’ was merely breathtaking for the readability of his strokes and accuracy. Maybe greater than an hour later, the younger maestro obtained a spontaneous standing ovation. Farrukhabad, (Ustad Amir Hussain Khan) Lucknow, (Ustad Wajid Hussain) Ajra (Ustad Habibuddin Khan) in addition to his gharana – Guru Pt Yogesh Samsi, Pt Sushil praised the varied repertoire he performed. Kumar Jain, Ustad Alla Rakha and Ustad Zakir Hussain.

The Mohan Brothers, Sitar participant Lakshya and Sarod participant Ayush performed the seasonal raga Miyan ki Malhar, adopted by Raga Manjh Khamach. At all times fascinating to hearken to a ‘jugalbandi’, the 2 had been completely in sync with the music. He was accompanied by a really comfy tabla ‘Sangat’ by Ishan Ghosh, who himself performs the sitar.

Arshad Ali Khan

Arshad Ali Khan | picture credit score: Subhdeep Dey

Arshad Ali Khan, the maestro of the Kirana Gharana, now hails from Kolkata, however was initially from Delhi. Creating an exquisite ‘Mahal’, he sang the seasonal raga Megh, Sombre, deliberate and majestic. In his ‘Drut Ek Taal Bandish’, he shocked his viewers with the abundance of clearly articulated ‘Taans’, one through which he executed impressively in each the octaves. His tilak orgasm was a blissful, true blue, raga-jnani. The concluding raga Gaur Malhar featured an uncommon composition the place the stressed, tormented ‘Tappa’ fashion portion of ‘Antara’ used the apt music ‘Jiya Ghabaraye’ most successfully. He was accompanied by Ustad Murad Ali Khan on Sarangi, Debjit on Tabla. Certainly this live performance was a becoming finish to an exquisite celebration.

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